Ea, tocho en inglés jaja ap que veas que es verdad:

Last day, when we watched Chytilova’s film I thought that the film is only about two angry girls who use men for food… But after that I remember your question: Do you think this is a feminist film? And, yes, its possible, really it’s a surrealist film and a lot of thing that they do, I don’t understand like time when they are cut pieces of paper with a scissors, or the butterflies for everywhere… but I think its an expression of fredoom, perhaps. But They are thinking sometimes about existentialist question like its they exist or not exist, and why… It’s possible that the director try to subvert the patriarchal system and gender stereotypes with theses chapters : Marie 1 y MArie 2, (why has they the same name? I don´t it’s possible, that they has the same personality like a photocopy, speacially when they are playing to cut paper fruit and to eat them in a surrealist game and a girl asks: “Say it’s great,” the other one answers, “I’ll say what I want.” ), are a female representation of a word where it’s not necessary a order in this society or gender stereotypes, questioning the importance and the value of any system: political, social or cultural. Its a new feminist tipical of 60s ( sex is very important, the nature, the clothes, the freedom…) and the film described from an alternative point of view that, over the years, has been shared by non-conformists, artists and intellectuals.
I think Marie 1 and Marie 2 use men for food, becouse, its a way to be critical about the conventional male-dominated culture, where women need men who give them love and money to live… They don’t need a employ or a man to eat everyday.
And masculine characters are very very ridiculous, becouse it’s the focus of the jokes… In a Woody Allen’s movies, women are pretties and stupid, here men are very similar.
The film is very simple but very subjective too, filled with a sense of irony and humour, there are two girls who are not survivor, they enjoy life.
The audacity of their rebellious spirit culminates in a spectacular food fight in a hall, laid out in advance for a grand banquet. After this, the two promise to mend their ways and make attempts to repair the damage they have done, (I don’t understand how they arrive there and why they decided to repair all).
They are rebel heroines, so free and independent, there is no place for a limiting definition of gender roles.
And last thing I watched in the film is as Chytilova plays with the colours in a pop culture.